Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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LE BRUN, Charles
The Chancellor Seguier (mk05)

ID: 20628

LE BRUN, Charles The Chancellor Seguier (mk05)
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LE BRUN, Charles The Chancellor Seguier (mk05)


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LE BRUN, Charles

French painter (b. 1619, Paris, d. 1690, Paris) French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions   Related Paintings of LE BRUN, Charles :. | Chancellor Sguier at the Entry of Louis XIV into Paris in 1660 sg | Holy Family with the Adoration of the Child s | The Resolution of Louis XIV to Make War on the Dutch Republic g | The Triumph of Faith fs | Martyrdom of St John the Evangelist at Porta Latina g |
Related Artists:
Vleughels Nicolas
French , b Paris, 6 Dec 1668; d Rome, 11 Dec 1737
Anders Lunde
(1809- 1886 ) painted Italiensk Bjerglandskab. Parti fra omegnen af Subiaco Anders Christian Lunde
Francesco Parmigianino
1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.






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